New — August 2025
1 Transmitter + 1 Receiver
DJI Mic 3
DJI's most advanced wireless microphone — 32-bit float recording, timecode support, dual-band anti-interference, 32GB internal storage, and AMOLED touchscreen on the receiver.
The DJI Mic 3 is a professional-grade wireless microphone system built for creators and videographers who demand broadcast-quality audio in a compact, go-anywhere package. Launched in August 2025, it introduces several significant upgrades over the Mic 2: 32-bit float recording that eliminates clipping entirely, timecode synchronization for multi-camera productions, a 32GB internal safety recording on each transmitter, dual-band 2.4/5.8GHz wireless with automatic frequency switching, and a 1.1-inch AMOLED touchscreen on the receiver for direct control. The system also scales from 1TX to 4TX and from 1RX to 8RX — making this the most expandable wireless audio solution DJI has ever released.
The 1 TX + 1 RX kit is the starting configuration — one transmitter, one receiver, and a premium metallic charging case — ideal for solo creators, interviewers, and anyone stepping up to professional audio. Available at ITFactory.ca — Canada's trusted source for DJI cameras and audio accessories.
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Why 32-Bit Float Recording Is a Game Changer
Traditional microphone systems record at a fixed bit depth — if someone suddenly yells or the gain is set too high, the audio clips and the recording is ruined. 32-bit float recording captures audio at an enormous dynamic range — effectively impossible to clip, regardless of input level. You can record a whisper and a shout in the same take, and adjust the levels perfectly in post-production without any distortion.
This is the same technology used in professional broadcast and film production field recorders, now available in a wireless clip-on microphone. Combined with the internal safety recording, it means virtually no audio take is ever lost or ruined on a DJI Mic 3.
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What Is Included in the 1 TX + 1 RX Kit
DJI Mic 3 Transmitter (TX) x 1
Compact wireless transmitter with 32-bit float recording, 32GB internal storage, magnetic and clip-on mounting, and up to 10-hour battery. |
DJI Mic 3 Receiver (RX) x 1
Compact receiver with 1.1-inch AMOLED touchscreen, dial control, 3.5mm TRS output, USB-C output, and 4-channel capability. |
DJI Mic 3 Charging Case
Premium metallic case that stores and charges transmitter and receiver simultaneously. Extends total runtime to 28 hours combined. |
DJI Mic 3 Mobile Phone Adapter (USB-C)
For connecting the receiver directly to USB-C smartphones and laptops. |
3.5mm TRS to TRS Locking Audio Adapter Cable
Locking 3.5mm cable for secure connection to cameras with a 3.5mm microphone input. |
DJI Mic 3 Windscreen x 1 (Black/Gray)
Fur windscreen for reducing wind noise during outdoor recording. |
DJI Mic 3 Magnet + Magnetic Clip x 1
Two-piece magnetic mounting system for attaching the transmitter to clothing without a visible clip. |
DJI Mic 3 Carrying Pouch
Soft carrying pouch for transporting the system without the charging case. |
USB-C to USB-C Data Cable
For charging the case and transferring internally recorded audio to a computer. |
Note: The DJI Mic 3 does not include a 3.5mm lavalier microphone input. External wired lavalier mics cannot be plugged into the transmitter — the transmitter uses its own built-in capsule only. If external lavalier input is essential for your workflow, the DJI Mic 2 is the appropriate choice and is also available at ITFactory.ca.
Key Features
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32-Bit Float Recording
Captures audio at an enormous dynamic range — impossible to clip regardless of input levels. Record in any environment without worrying about setting gain correctly. Recover perfect audio in post-production from every take.
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Timecode Synchronization
Built-in timecode support allows precise synchronization of audio and video across multiple cameras and audio recorders — essential for multi-camera shoots, film productions, and any workflow that requires frame-accurate audio alignment in post.
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Dual-Band 2.4 / 5.8GHz Wireless
Automatically switches between 2.4GHz and 5.8GHz to avoid interference in crowded RF environments — events, studios, and locations with many wireless devices. Reliable signal up to 400 metres in open environments.
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32GB Internal Safety Recording
Each transmitter records audio to 32GB of internal storage simultaneously — an independent backup that continues recording even if the wireless connection drops. Transfer recordings via USB-C after your shoot.
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1.1-Inch AMOLED Touchscreen on Receiver
A bright AMOLED touchscreen on the receiver displays gain levels, battery status, channel assignments, and connection mode at a glance. A physical dial provides tactile control for quick adjustments without navigating menus.
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4TX + 8RX Expandable System
The 1TX + 1RX kit is just the starting point. The receiver supports up to four transmitters simultaneously and can sync to up to eight receivers — enabling multi-speaker panel recordings, large event coverage, and complex multi-camera productions.
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Adaptive Gain Control
Automatically adjusts the gain level in real time to compensate for variations in speaking volume — keeping audio balanced and consistent even when a speaker moves closer to or further from the microphone.
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Three Voice Tone Presets
Warm, Neutral, and Bright voice tone presets adjust the EQ character of the recorded audio directly in the transmitter — optimizing for different voices and recording environments without post-production processing.
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OsmoAudio Direct — No Receiver Needed
Pairs wirelessly with compatible DJI cameras — Osmo Pocket 4, Osmo Action 6, Osmo Nano, Osmo 360 — via OsmoAudio direct connection. No receiver required for DJI camera users, eliminating one piece of hardware from your kit.
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Up to 10-Hour Transmitter Battery
Each transmitter runs for up to 10 hours per charge. With the charging case, total transmitter runtime extends to 28 hours combined — enough for full multi-day shoots before needing a wall outlet.
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Two-Level Active Noise Cancelling
Two selectable noise cancelling levels reduce background noise — HVAC, ambient crowd, wind — to isolate the speaker's voice. Choose the level that matches your recording environment.
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Magnetic and Clip-On Mounting
The transmitter attaches magnetically to clothing via a two-piece magnetic system — no visible clip on the front of the fabric. A traditional rotatable clip is also included for conventional lavalier placement or angle adjustment.
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Universal Device Compatibility
The receiver connects to any camera or device via 3.5mm TRS locking cable or USB-C — DSLRs, mirrorless cameras, iPhones, Android phones, laptops. A USB-C phone adapter is included in the box.
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DJI Mic 3 App Control
Fine-tune gain, noise cancellation, EQ tone presets, and channel assignments via the DJI Mic app on your smartphone. Also handles firmware updates and system configuration for the full TX/RX ecosystem.
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Who Is This For?
The DJI Mic 3 1TX + 1RX is the right choice for creators and videographers who need reliable, professional-grade wireless audio for single-speaker applications — and who want the best audio technology available in a compact wireless system. The 32-bit float recording, timecode support, and dual-band wireless make it significantly more capable than any previous DJI microphone for demanding production environments.
Vloggers and YouTube creators
Videographers and filmmakers
Interviewers and journalists
Wedding and event videographers
Multi-camera production crews
DJI Osmo Pocket 4 Creator Combo users
Technical Specifications
| Brand |
DJI |
| Product |
DJI Mic 3 (1 TX + 1 RX) |
| SKU |
CP.RN.00000479.01 |
| Recording Format |
32-bit float |
| Timecode Support |
Yes |
| Transmission Range |
Up to 400m (open, unobstructed) |
| Wireless Frequency |
Dual-band: 2.4GHz + 5.8GHz (auto-switching) |
| Bluetooth |
Bluetooth 5.4 |
| Internal Storage (TX) |
32GB per transmitter |
| Transmitter Battery |
Up to 10 hours |
| Total Runtime with Case |
Up to 28 hours |
| Receiver Display |
1.1-inch AMOLED touchscreen + dial control |
| Max TX Supported |
Up to 4 transmitters per receiver |
| Max RX Supported |
Up to 8 receivers per system |
| Four-Channel Output |
Yes — with select cameras and software |
| Noise Cancelling |
Two-level active noise cancelling |
| Gain Control |
Adaptive gain control + manual |
| Voice Tone Presets |
3 — Warm, Neutral, Bright |
| Receiver Outputs |
3.5mm TRS (locking) + USB-C |
| 3.5mm Lavalier Input (TX) |
Not available — built-in capsule only |
| OsmoAudio Compatible |
Yes — direct connection to compatible DJI cameras without receiver |
| Mounting |
Magnetic two-piece clip + rotatable traditional clip |
| App |
DJI Mic app (iOS and Android) |
| Sold by |
ITFactory.ca — Canadian authorized DJI reseller |
Why Buy from ITFactory.ca?
ITFactory.ca is a trusted Canadian retailer for DJI cameras and audio accessories, serving creators and professionals across the country. Every product we sell is genuine and backed by our team.
| → Authorized Canadian DJI reseller |
→ Genuine DJI product with warranty |
| → Fast shipping across Canada |
→ Business invoicing available |
| → DJI cameras also available |
→ Bilingual customer support |
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Frequently Asked Questions
What is new in the DJI Mic 3 compared to the Mic 2?
The DJI Mic 3 introduces several major upgrades over the Mic 2: 32-bit float recording (eliminates clipping entirely), timecode synchronization for multi-camera productions, dual-band 2.4 and 5.8GHz wireless with automatic frequency switching, 32GB internal storage per transmitter (up from 14 hours recording on Mic 2), a 1.1-inch AMOLED touchscreen on the receiver (replacing a simple display), adaptive gain control, three voice tone presets, and scalability to 4TX + 8RX. The Mic 3 is also smaller and lighter than the Mic 2. One change to note: the Mic 3 transmitter does not have a 3.5mm input for an external wired lavalier microphone — the Mic 2 does support this.
What does 32-bit float recording actually mean for my recordings?
With standard audio recording, if someone speaks too loudly or the gain is set incorrectly, the audio clips — it distorts permanently and cannot be fixed in editing. 32-bit float recording captures such a wide dynamic range that clipping is essentially impossible, regardless of input level. You can record a whisper and a shout in the same take without adjusting the gain, and bring both up to perfect listening levels in post-production without any distortion. It is the same technology used in professional field recorders and film production audio equipment.
Does the DJI Mic 3 work without the receiver on DJI cameras?
Yes. The DJI Mic 3 is compatible with the OsmoAudio direct connection system and pairs wirelessly with compatible DJI cameras — including the Osmo Pocket 4, Osmo Action 6, Osmo Nano, and Osmo 360 — without needing the receiver. This is how it is used in the DJI Osmo Pocket 4 Creator Combo. For any other camera, smartphone, or recording device, the included receiver is required.
Can I add more transmitters later if I need to mic two people?
Yes. The DJI Mic 3 system is expandable — the receiver supports up to four transmitters simultaneously. Purchasing an additional DJI Mic 3 Transmitter separately allows you to mic a second speaker with the same receiver. The 2TX + 1RX + Charging Case kit is also available at ITFactory.ca if you need two transmitters from the start.
Can I plug an external wired lavalier microphone into the transmitter?
No. The DJI Mic 3 transmitter uses its own built-in microphone capsule only and does not have a 3.5mm input for an external wired lavalier. If your workflow requires plugging in a wired lavalier — such as a specific capsule for broadcast use or an existing lavalier you own — the DJI Mic 2 supports this and is also available at ITFactory.ca.
What is timecode support and do I need it?
Timecode is a time reference signal embedded in audio and video recordings that allows editors to precisely synchronize multiple audio and video tracks by timestamp — down to a single frame. It is essential for multi-camera shoots where cameras and audio recorders need to be perfectly aligned in post-production. If you shoot with a single camera, timecode is not necessary. If you work with multiple cameras, run audio to a separate recorder, or produce broadcast or film content, timecode support is a significant professional advantage.
